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John Lee Hooker (August 22, 1917 – June 21, 2001) was a highly influential American blues singer-songwriter and guitarist.
Hooker began his life as the son of a sharecropper, William Hooker, and rose to prominence performing his own unique style of what was originally a unique brand of country blues. He developed a 'talking blues' style that was his trademark. Though similar to the early Delta blues, his music was metrically free. John Lee Hooker could be said to embody his own unique genre of the blues, often incorporating the boogie-woogie piano style and a driving rhythm into his blues guitar playing and singing. His best known songs include "Boogie Chillen'" (1948), "I'm in the Mood" (1951) and "Boom Boom" (1962), the first two reaching R&B #1 in the Billboard charts. There is some debate as to the year of Hooker's birth in Coahoma County, Mississippi, the youngest of the eleven children of William Hooker (1871–1923), a sharecropper and Baptist preacher, and Minnie Ramsey (born 1875, date of death unknown); according to his official website, he was born on August 22, 1917.
Hooker and his siblings were home-schooled. They were permitted to listen only to religious songs, with his earliest exposure being the spirituals sung in church. In 1921, his parents separated. The next year, his mother married William Moore, a blues singer who provided Hooker with his first introduction to the guitar (and whom John would later credit for his distinctive playing style). John's stepfather was his first outstanding blues influence. William Moore was a local blues guitarist who learned in Shreveport, Louisiana to play a droning, one-chord blues that was strikingly different from the Delta blues of the time. Around 1923 his natural father died. At the age of 15, John Lee Hooker ran away from home, reportedly never seeing his mother or stepfather again.
Throughout the 1930s, Hooker lived in Memphis, Tennessee where he worked on Beale Street at The New Daisy Theatre and occasionally performed at house parties. He worked in factories in various cities during World War II, drifting until he found himself in Detroit in 1948 working at Ford Motor Company. He felt right at home near the blues venues and saloons on Hastings Street, the heart of black entertainment on Detroit's east side. In a city noted for its pianists, guitar players were scarce. Performing in Detroit clubs, his popularity grew quickly and, seeking a louder instrument than his acoustic guitar, he bought his first electric guitar.

1. Dimples    
2. Boom Boom    
3. Whiskey And Wimmen    
4. Frisco Blues    
5. Tupelo    
6. Process    
7. Good Rockin' Mama    
8. No Shoe    
9. I'm In The Mood    
10. Dusty Road    
11. Boogie Chillum    
12. Hard Hearted Woman    
13. Drug Store Woman    
14. Hobo Blues    
15. Onions    
16. Baby Lee    
17. I'm Leaving    
18. Trouble Blues    
19. Little Wheel    
20. Old Time Shimmy

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