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The Complete Pop festival of Monterey 16-17-18 June 1967 3 CD's XiVD

LET OP onder de blauwe knop zit een FAKE NZB!

Weer mooie nostalgische muziek gevonden uit the flower power en hippie tijd; 1967, met Grace Slick, Mamma Cash, Jimi Hendrix, Pete Townshend (zijn guitar weer eens vernielend), Paul Simon, Art Garfunkel, 
Otis Redding, Ravi Shankar, Janis Joplin, Scot McKenzie,  Waar vindt je nog zo'n keur aan wereldsterren op één festival, bezocht door 200.000 fans, 2 jaar vóór het legendarisch concert in Woodstock in 1969, 
waar 500.000 toeschouwers op af kwamen,toen alle genoemde namen gevestigd waren.

Ik moet eerlijk zijn; de kwaliteit van zowel muziek als video sucks, maar nostalgische waarden van als die (toen nog niet) wereldsterren vergoed veel.
   
The Monterey Pop Festival reaches its climax

By the time they got to Woodstock, Jimi Hendrix, Janis Joplin, the Who and the Grateful Dead were established superstars—heroes to the roughly half a million worshipful fans who trekked up to Max Yasgur’s farm to 
see them in the summer of 1969. Yet just two years earlier, they were entirely unknown to most of those worshipers. All four iconic figures on the 1960s music scene entered the American popular consciousness at an 
event that preceded and provided the inspiration for Woodstock itself: the Monterey Pop Festival. Held over three days during the height of the Summer of Love, the Monterey Pop Festival came to a close on this day 
in 1967, with a lineup of performers that included all of the aforementioned acts as well as Ravi Shankar, Buffalo Springfield and the Mamas and the Papas.

From a purely musical perspective, the Monterey Pop Festival was a groundbreaking event, bringing together nearly three dozen well-known and unknown acts representing an eclectic mix of styles and sounds. 
The great soul singer Otis Redding, the Indian sitar master Ravi Shankar and South African singer/trumpeter Hugh Masekala, for instance, all had their first significant exposure to a primarily white American audience at 
the Monterey Pop Festival, which also featured such well-known acts as the Animals, the Association, the Byrds, Jefferson Airplane and the Mamas and the Papas. In this sense, the festival not only pioneered the basic 
idea of a large-scale, multi-day rock festival, but it also provided the creative template that such festivals still follow to this day.

The organizers of the charitable Monterey Pop Festival also set a standard for logistical organization that the organizers of the for-profit Woodstock festival would attempt to follow, only to fall short under the immense 
pressure of overflow crowds and bad weather. In addition to arranging for private security and medical staff, the organizers of Monterey also deployed a staff of trained volunteers, for instance, whose sole task was to 
manage episodes among audience members partaking in the nearly ubiquitous psychedelic drugs.

Some 200,000 people attended the Monterey Pop Festival over its three-day schedule, many of whom had descended upon the west coast inspired by the same spirit expressed in the Scott McKenzie song 
“San Francisco (Be Sure To Wear Flowers In Your Hair),” written by festival organizer John Phillips of the Mamas and the Papas expressly as a promotional tune for the festival. 
The Summer of Love that followed Monterey may have failed to usher in a lasting era of peace and love, but the festival introduced much of the music that has come to define that particular place and time.

On a beautiful June weekend in 1967 at the height of the so-called "summer of love," the first and only Monterey International Pop Festival roared forward - capturing a decade's spirit and ushering in a new era of rock
and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast including Simon and Garfunkel, The Mamas and the Papas, The Who, 
The Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic verite style, D.A. Pennebaker captured it all, immortalizing those moments that have become legend: Pete Townshend destroying 
his guitar; Jimi Hendrix burning his. 

The Criterion Collection is proud to present the most comprehensive document of The Monterey International Pop Festival ever produced, featuring all three films of the festival - "Monterey Pop" (1967, 80min.), 
"Jimi Plays Monterey" (1986, 50min.) and "Shake! Otis At Monterey" (1987, 18min.) - along with nearly every complete performance filmed by Pennebaker and his crew, the "Outtakes" (1997, 120min.).

NZB links:

Disc 1 van 3:  - http://tinyurl.com/hevkyck -
Disc 2 van 3:  - http://tinyurl.com/zvhblrm -
Disc 3 van 3:  - http://tinyurl.com/j595zha -

Deze eventueel nazoeken op www.binsearch.info of www.nzbindex.nl indien NZB link niet werkt; 

Naam van de files:  

Naam 1 van 3:  eqXjne8m13Jlk72gtORi
Naam 2 van 3:  E0wax5D1q8qMKUT4yyt4
Naam 3 van 3:  s70Sap80J9GNrdWBvuCv

Torrent voor deze post downloaden op: https://www.demonoid.pw/files/download/3399940/

Tip Google eens op Monterey Pop Festival en pas besef wat voor iconisch gebeuren dat geweest moet zijn.

Gepost door: PietVerdriet | bJpeMg 24-2016 09:52 uur